#womenshistorymonth #internationalwomensday
In a world where women continue to push boundaries and redefine success, sculptor Ejiro Fenegal stands out as a remarkable figure worth celebrating.
Born in 1991 in Ughelli, Delta State, Nigeria, Fenegal’s art journey began at the School of Arts, Design, and Printing at Yaba College of Technology, where she earned a Higher National Diploma in Sculpture in 2019.
Working from her Lagos studio, Ejiro meticulously crafts figurative sculptures that delve into the complexities of the human condition. Her creative process involves modeling with clay, followed by molding and casting using materials like resin and marble dust. She then applies vibrant polychromatic patinas to accentuate the expressive features of her subjects.
Fenegal’s artwork primarily focuses on depicting female figures, presenting women as strong and beautiful symbols. She begins by sculpting her subjects in clay, then creates molds and casts them using materials like resin, marble dust, and stone particles. To enhance the expressive details of her subjects, she finishes them with polychromatic patinas.
Ejiro’s dedication to her craft has led to notable projects, including the production of the Zorya Statue at the Lagoon Restaurant in Lagos (2020) and a collaborative sculpture on combat soldiers with sculptor Ato Arinze, commissioned by the Office of the National Security Adviser in Abuja (2022).
Her works, such as “Before You Know Me” (2023) and “Sound of Silence” (2023), reflect her commitment to exploring the depths of human emotions and experiences. Fenegal has also showcased her sculptures at prestigious international art fairs across both America and Africa, including Art X Lagos in November 2023.
Through her art, Fenegal delves into the complexities of the human condition, exploring themes characterized by fear, doubt, and hate, while simultaneously celebrating the resilience and beauty inherent in the female form.
We applaud her dedication and unique perspective as she continues to contribute significantly to contemporary African art.
